Conga Room is BACK!
The Conga Room to Open Nightclub and Entertainment Venue at L.A. LIVE!
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The Conga Room, L.A.’s world-renowned Latin Nightclub, Restaurant, and Entertainment Venue will be a premier brand of the new L.A. LIVE in Downtown Los Angeles; a massive project estimated at more than $1 Billion and considered the largest investment in the history of Los Angeles. The Conga Room will be designed as a two-story building, with direct views into the Nokia Plaza, the Staples Center, and bordering attractions. It will feature Television and Radio broadcast capabilities, an estimated 6,500 square-foot of ground floor restaurant space, and approximately 9,200 square-foot of upstairs live entertainment and nightclub space that will include a large performance stage and several bars.
The Conga Room was founded by real estate entrepreneur Brad Gluckstein, and co-owned by Jimmy Smits, Jennifer Lopez, Paul Rodriguez, and Sheila E., and it has been dubbed “The Latin House of Blues” by many. In its first incarnation at the Miracle Mile on Wilshire Blvd, the Conga Room featured Latin Icons like Celia Cruz, Tito Puente, Buena Vista Social Club, and Oscar De Leon. It also broadened its musical repertoire beyond salsa to spotlight popular artists in other genres: Rock en Español (e.g., Aterciopelados, Julieta Venegas), world beat (e.g., Susana Baca, Lila Downs, Hugh Masekela, Bebel Gilberto), jazz (e.g., Billy Cobham, Poncho Sanchez, Jack DeJohnette), urban (e.g., Common, Wyclef Jean) and pop/rock (e.g., Jose Feliciano, Nelly Furtado, Los Lobos).
With its rebirth at L.A. LIVE, the Conga Room will host national and international iconic names in a state-of-the-art live entertainment space with triple the capacity of the former Conga Room. The new Conga Room has an advanced lighting and sound system that extend from a high-definition screen behind the stage to A/V amenities throughout the club, plenty of seating and dancing space, and areas for private parties, being able to accommodate over 1,000 people. Seen as a hybrid, due to its restaurant, nightclub, event space, and live entertainment venue, the Conga Room will be a center of attraction in the midst of the L.A. LIVE district, which will feature social, political, entertainment, and sporting events in locations like the Staples Center, Nokia Theatre, Club Nokia, and JW Marriot and Ritz-Carlton Hotel.
The Los Angeles community can certainly expect some big names from the world of Latin music later this year for the opening, and perhaps even some “secret” shows from musicians of other genres — especially during grand events at nearby venues. The Conga Room is available for corporate parties, movie openings, and social business events. For more information contact the box office at 213-749-0445 or 1-866-95-CONGA.
Website: http://www.congaroom.com/
Contact: 1-866-95-CONGA.
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MAMA JUANA’s
November 7, 2008 by admin
Filed under Featured Salsa Club
Love Salsa? This the ultimate place for you! With amazing food and dancers alike, you are guaranteed a great night out on the town. You are sure to meet people of all ethnic backgrounds and all ages
Mama Juana’s is a throwback to the 1940′s and 1950′s Golden Years of Latin Food and Music, built with style and elegance of Old Latin Hollywood, in an upscale and intimate environment. We invite you to eat, drink, dance and enjoy the best in live latin music
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Studio City, CA 91604
Phone: 818.505.8636
Hours: 7pm to 2am
Cover charge: $10
Parking: Street, free
Great club with a good atmosphere and wonderful people. The dance floor is not huge, but the setting is amazing. This club located in Universal City is tucked away on the second floor of a small shopping strip. Inside, the décor is very LA style, art deco nouveau – simple and refined – dim lighting, and maroon tinted walls with candlelight. Monday nights are DJ’d but the best night to go is Thursday night since there’s a band. Very trendy place. Dress up for this one. Feels like you’re walking into an up-scale lounge, not a club. People are very friendly and polite. A top pick.
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Choosing a Salsa Instructor
November 7, 2008 by admin
Filed under Salsa Articles, beginners guide
| 4) How to Pick an Instructor | |
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As you start dancing one of the most important decisions you’ll make is choosing your dance instructor. The better the instructor, the quicker you will learn and the more enjoyment you will get out of your dancing. With a bad instructor you may not be happy with your progress and decide to give up. It is not easy for a beginner dancer to evaluate and choose a dance school as there is a fair amount of criteria to consider. This section of the guide will assist you in choosing the right instructor for you. Please understand that different students react differently to different teachers. One instructor, who your friends may like, may not be the best for you and vice-versa. Once you have decided you would like to take classes, we highly recommend you visit as many instructors as possible, and watch or join at least one class to see if you’re comfortable with the instructor and the learning environment.  |
| Â | 4.1) How do I find a salsa instructor? | |
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Finding a dance instructor in your city is not always easy. Today most major cities will have a number of salsa instructors to choose from. If you are in a smaller city you may have more difficulty. Here are a few methods for locating salsa dance instructors: Internet: Many cities have a web page dedicated to listing salsa instructors for that region. On the search engine, type “salsa” and “city name” for your city. This will give you a large and varied list of instructors but it’s still up to you to evaluate them. Click here for a list of salsa city links. Word of Mouth: Asking dancers in the clubs about salsa schools. This is a good method because you’ll get someone’s opinion in addition to the Phone Book: Call up dance schools from the phone book (salsa or ballroom) and ask if they teach salsa classes. This is probably the most time consuming, but you will be able to ask what styles they teach and what their specialty is. In case there are no salsa instructors in your city, we would recommend finding a willing partner, and ordering instructional videotapes to learn from. The alternative is to travel to nearby cities for instruction. This may not be feasible depending on how far away you are, as it can get expensive and time consuming.  |
| Â | 4.2) Is the more expensive instructor better? | |
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Price does not determine the quality of an instructor. Although some instructors who gain a good reputation may match their demand with an equivalent price, the more expensive instructor is not necessarily better. Also class length can range from 45 minutes to 2 hours, so pay attention when you look at the price. Â |
| Â | 4.3) Instructor to Student Ratio | |
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The more individual and personalized attention you get, the better. The amount of attention you receive in a group lesson can vary greatly. The 1:1 ratio of a private lesson is ideal but a small class can be just as effective and a lot cheaper. Some classes are small with a limit on the number of students able to enroll. Others have as many as 50 students. Just keep in mind that the smaller the class, the easier it is for instructor to give more individual attention. Some classes have multiple instructors and/or volunteers. This improves the ratio in your favour considerably. These classes may be more expensive, but if you value personal attention the cost will be worth it. Â |
| Â | 4.4) Male or Female instructor? | |
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Whether you prefer a male or female teacher is really up to you. A female instructor may have more insight for females, and a male instructor may have better insight for guys, but this is not always the case. A good instructor should understand both roles, and be able to teach both guys and girls equally well. For specific things like styling, you may want to choose an instructor of the same sex; but for everything else, it shouldn’t matter (especially at the beginner level).  |
| Â | 4.5) Is the best dancer also the best teacher? | |
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There are some great dancers who are also great teachers, but this is not always the case. An instructor’s skill set is very different from that of a dancer’s. Teaching requires a fundamental technical understanding of dancing and human movement. This is gained though experience and training. However even if a teacher has the required training and experience, they still require the ability to verbally and visually communicate with the students at a level they’ll understand and learn. These traits are not always present in a great dancer, so don’t assume the best dancer will be the best instructor. The only way to tell is to take or watch a class and ask their students for their opinion. |
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| Â | 4.7) Location and Venue | |
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The instructor you choose should hold classes in a venue that is relatively convenient for you the student. In addition, select a class time that will give you some leeway in case of traffic or other delays. Make sure you are able to attend on a regular basis. If you can’t commit to a fixed weekly schedule; then try doing a workshop which only requires a few hours on a specific date. If not, then buy an instructional video, which allows you to watch and learn at your own pace.
Another key factor when discussing venue is what type of room the classes are conducted in. Classes can be held in a variety of locations – dance studios, dance clubs, gymnasiums, basements or homes. The ideal location will have good ventilation and lighting, hardwood floors, full-length mirrors, and lots of space. It is possible for a great instructor to teach at a bad location, however it is important for you to be comfortable with your learning environment.
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| Â | 4.8) Class Atmosphere | |
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It is very important to be comfortable with the instructor and the students around you. A social and fun atmosphere will enhance your learning experience. Some instructors may not always have control over their class; others may seem to teach with some form of military training. A fun learning environment usually means a better learning environment. Also, make sure there is a relatively even number of guys to girls or ensure that the instructor regularly rotates the students to ensure everyone gets a turn at trying a new move. Keep in mind it is rare to have the exact same number of guys and girls. However if there are 20 girls registered and only 5 guys, many girls will not get a partner for the entire class, even with the instructor rotating partners. You may want to find a session with more even numbers so you will get more time to learn the step with an actual partner. Â |
| Â | 4.9) Ask Around! | |
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When deciding which instructor to select, a good approach is to ask some of the veteran dancers in the clubs which instructor they recommend. Note, many dancers are biased to the instructors that taught them, so also ask why they recommend this particular instructor. Try to get as many opinions as possible and this will help you to get a good sense of which instructors are the best or most popular in your city. Â |
| Â | 4.10) Changing schools | |
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We recommend you try many different instructors. However if you decide to change schools, there are a few things to keep in mind. Instructors all have different ways of measuring class levels. Some may rank students as “beginners”, “intermediate” or “advanced”. Other schools may use levels “level 1″, “level 2″, etc. In addition, “advanced” students from one school may not be at the same level as “advanced” students from another school. One instructor’s syllabus and rating system is usually quite different from another. This variation will not make a difference to you unless you switch schools. Most instructors will want to evaluate your skill level before you join so that you will be placed in the right level. You may want to choose instructors that you know will also offer advanced lessons in the future when you progress.
It is natural to feel loyal to your first salsa instructor, but try to avoid feeling like you’re “cheating” on your current instructor if you decide to take classes with someone else. It’s okay, and in fact very beneficial to your dancing to a get as much varied input as possible. You also don’t have to leave your existing school. If you’re happy with it you may just want to supplement their classes with a class or workshop from another instructor every now and then.
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| Â | 4.11) Skills of a dance instructor | |
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A dance instructor must have excellent understanding of the material he/she is teaching. In the case of Salsa, this includes being able to teach both the men’s and woman’s steps. In addition to the steps, additional details such as the timing of leading and following or weight transfer should be well understood by the instructor. An experienced instructor will be able to warn you about common problems students have with each step and how to prevent them.
Assuming the instructor knows all this, he/she is required to be able to successfully communicate this information to the student. This is probably the most important skill of a good instructor. Just watching the instructor perform a specific step over and over is not enough for the average student. The instructor should be able to break down the step, and verbally explain each segment of the pattern. They should be able to pinpoint the problems the students are encountering and help them through it using explanations, examples and demonstration. A good instructor should be approachable and open to answering your questions.
Lastly, just like a coach, an instructor should be able to encourage the students and be understanding. A caring and fun class atmosphere will greatly enhance the learning experience and will most likely bring the student back. Note: There are different types of classes, and different levels. Higher level classes are purposely not broken down as much as beginner classes. So make sure you’re in the right class by doing a placement evaluation with the instructor   |
| Â | 4.12) Evaluating an Instructor’s Skill | |
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As a beginner student it is very hard to evaluate how good an instructor is
at teaching. Remember we’re evaluating their teaching skills, not dancing skills. You can learn a lot about the instructor through observation even if you are new to dancing: (1) How well does the instructor break down the steps? Is it too fast for you? Too slow?
(2) At the end of the classes, did most of the students learn what the instructor tried to teach? Did you? If most of the students have a look of confusion at the end of the class, the instructor most likely did not adapt to the class level, or did not break down the steps well enough. (3) Did the instructor cover both the leaders and followers parts thoroughly? Were student questions answered well? Did the instructor even ask for questions and/or feedback? (4) A great way to judge an instructor is by his/her students. Can the instructor’s advanced students dance well? Can they dance with students not from the same dance school? In addition to these observations, any professional instructor would be glad to answer questions you may have. The following is a list of sample questions you should ask your potential instructor. (1) Their dance/salsa experience. We highly recommend that you try a few different instructors. You will notice different teaching styles. One is not necessarily better than another, but you may have a favorite from which you learn the most. The most important questions to ask yourself after the class are; Were you happy with the lesson? Did you learn something new? Did you enjoy the lesson? If the answers are yes, then you’ve succeeded in finding a good instructor for you.  |


